That is why finding the best songs of him is nothing less than finding a needle in the sea. that beating music, his brilliant choice of albums, and the final video as a whole all are just commendable. This post is all about the Best songs of Kendrick Lamar so far as per the Critics. So, If you too a fan of Kendrick Lamar and want to listen to his masterpiece, then you are at the right place on the internet. While some new directions he experiments with could be developed and explored more, some should have been left with his previous EPs.Does Kendrick Lamar need any introduction? Nah!! He is already ruling as hip-hop and jazz king on millions of playlists. Overall, “The Melodic Blue” shows Keem deepening his iconic sound, while also debuting rap’s most powerful duo. Again, the two’s undeniable chemistry is infectious and forces the listener to have fun. “Vent” is the third song on the album that features Kendrick, and in my opinion, could have been the best if it would have stretched past the three-minute mark. He supplies great verses in both songs, but shines when he accentuates his unique sound and pairs it with a catchy flow. “Cocoa (with Don Toliver)” and “durag activity (with Travis Scott)” both attest to Keem’s talent for hook delivery. “Gorgeous” and “south africa” are both songs that lack memorable choruses, but have Keem in his prime during the verses. This same problem appears on the song “lost souls.” It is nice to see Keem step out of his comfort zone, but this style is so painfully average that it takes away from the songs on the album. Keem has been known to make slower ballad-inspired songs where he belts his heart out, but in my opinion, these have never been his strong suit. The song “issues” is nothing new, done better by better vocalists such as Don Toliver or The Weeknd. Unfortunately, the album hits a slow moment after “range brothers.” These might be the best ad-libs ever seen in the genre. Kendrick begins the verse with a contagious chorus that consists of him repeating the phrase “Let’s get this sh*t,” and then, “top of the morning.” Keem then spits the coldest bars of the past decade while K. Now let me preface this by saying this might be the best part of a rap song, ever. The song begins with Keem crooning about his need for a girlfriend, and Kendrick carries the song to half point of the album with a solid verse. “Range brothers” is more of the same as rap’s newest duo, and feels like a continuation of the fun that was had between Keem and Kendrick during “family ties.” Despite the lackluster production, this song is held up by the amazing performance between the two cousins. Unfortunately, the track is only one minute and 17 seconds long, the shortest on the album. It’s clear Keem wanted to expand past the traditional rap banger he's known for, and accomplishes this on this cut.
On “Scapegoats,” Keem reflects on the contrast between his present and past over an emotional serpentwithfeet sample. This cut is in line with Keem’s earlier discography, but is enhanced by the chorus, sampled from Che Ecru’s 2019 freestyle “F*ck Instagram.” “Pink panties” adds a contemporary love song to one of Keem’s many acquaintances. After an on-brand beat change, Rosalía supplies a catchy chorus. This is immediately contrasted when distorted 808s come in under Keem’s combative bars. The album opener, “trademark usa,” projects Keem at his most vulnerable, contemplating the consequences of his newfound fame over a somber soul sample. “The Melodic Blue” certainly lived up to the hype that was established by the success of “family ties.” This is followed by a Kendrick Lamar verse (his first since 2019) in which he switches to a country-like flow, which is arguably the best musical moment this year. The first half of the song has Baby Keem doing what he does best - creating bangers with interesting flows and various beat switches.
So, it was safe to say that when I heard Baby Keem’s “family ties,” featuring his older cousin and rap legend Kendrick Lamar, I was eager to hear the rest of his debut album, “The Melodic Blue.” The second of two singles that dropped prior to the album’s release, “family ties” was a demonstration of how rappers with tight chemistry can bring their songs to the next level. The tape saw Keem utilize skeletal instrumentals that often had multiple beat switches, a style that complemented his aggressive lyrical output. The acclaimed hit came from his 2019 mixtape, “DIE FOR MY B****,” one of my favorite projects of the year. His casual vocal delivery and unique voice made this song a summer hit, and propelled him into the hip-hop spotlight. Baby Keem first appeared on most listeners’ radars after his song, “ORANGE SODA,” went viral on TikTok.